“一朵花能承载些许种可能？”4月10日，这个问题在2025 菏泽牡丹国际传播论坛上赢得了最活泼的解答。来自寰球多个国度的文化学者、跨国企业代表和后生创业者，因这朵1500岁的东方之花皆聚一堂。当国际友东说念主们体验巨幅工笔牡丹画创作，当保加利亚索非亚国外牡丹园里花朵在线绽放，当国外“Z世代”汇注达东说念主、中医药各人围绕“多元激动牡丹文化走向寰球”伸开商讨时——菏泽牡丹已悄然蜕变为卓绝国界的文化使臣与经济序论。

　　学者：牡丹怒放活着界漂后调换中

　　在北京番邦语大学亚洲学院阿塞拜疆语教研室主任、国际儒联第七届理事会理事阿格申·阿利耶夫眼中，菏泽的牡丹不仅有花草之好意思，更是文化调换的伏击载体。“牡丹文化不仅是中国的文化符号，它亦然寰球了解中国的一个窗口。牡丹文化不仅要绽放在园林中，愈加要怒放活着界漂后调换中。”他特地提到，在德国、法国、日本等国，学者们通过文体与艺术作品展现牡丹的魔力，这恰是不同漂后间相互学习和模仿的活泼实例。在赏玩完菏泽牡丹之后，阿利耶夫锻真金不怕火提到了阿塞拜疆的国花，提倡开展“双花对话”国际联结技俩，通过两国艺术家的共同悉力，让丝绸之路上这两种陈旧的花草在数字期间再行相遇。

　　他期待将来能看到牡丹文化术语和黄河文化术语的各个语种翻译版块，包括他的母语阿塞拜疆语版块。阿利耶夫锻真金不怕火特地强调：“咱们不仅要爱首要语种的翻译，更要和顺小语种的传播责任，因为‘一带总计’共开国度的大部分谈话都属于小语种鸿沟。”

　　记者：经济价值与文化价值的双重绽放

　　四肢中国外文局欧非传播中心的外籍记者，天赐对菏泽牡丹的文化与经济价值有深远坚贞。“比如在法国或罗得岛，要是你的花圃里种有一株来自菏泽的牡丹，这种平直的文化纽带会让你对菏泽产生特地的表情集中。”这不单是是因为领有一株秀好意思的花朵，更是因为它承载着特定的历史和文化配景。通过这种形貌，东说念主们粗略成立起卓绝地舆界限的文化认可，也促进了不同地区之间的相互意会和尊重。除此除外，他以为，牡丹更是激动方位经济发展的伏击资源。天赐共享了我方尝试牡丹籽油的经验：“这是我第一次平直食用未经加工的牡丹籽油，嗅觉至极好。”他指出，除了健康家具除外，牡丹有关产业为当地带来了显贵的经济效益，包括提供办事契机和加多住户收入。

　　关于怎么将牡丹的故事阐明注解给不同地区的受众，天赐有着专有的意见：向非洲受众先容牡丹时，会强调它在促进经济增长、回击食粮不安全、改善生涯条款方面的作用；而濒临欧洲等地区，则不错从艺术和文化调换的角度脱手，展现牡丹在全球化配景下的突出魔力和桥梁作用。

　　照相师：“牡丹笑容”带来全球对话

　　四肢国际照相艺术长入会中国副代表，鲁明深知影像在激动中国牡丹文化“走出去”进程中所阐扬的伏击作用。“影像四肢一种直不雅的视觉谈话，粗略卓绝谈话约束，活泼传递牡丹的文化内涵与好意思学价值。”鲁明先容说念，“牡丹笑容”国际影像工程，由中国照相师高均海团队历时8年，在60多个国度拍摄了2万余张不同民族、国籍、功绩的东说念主与牡丹的合影，奏效地将牡丹的好意思好寓意传播到寰球各地。特地值得一提的是，2018年法国巴黎牡丹节上，圣雷米·奥诺雷市市长佩戴国旗绶带与儿子拍摄的“牡丹笑容”，成为中法文化调换的活泼注脚。

　　为了进一步搭开国际照相和文化调换的桥梁，国际照相艺术长入会中国办事处接管了一系列圭表。最近，他们邀请了来自西班牙、保加利亚、法国和智利的四位国际照相行家来菏泽参预牡丹国际传播论坛，并拍摄牡丹及与牡丹有关的步履。特地是保加利亚普洛夫迪夫市的国际照相行家带来的作品偏持捎带的感谢信，不仅抒发了不竭与菏泽深化联结的愿望，也成为两市、两国友好联结与文化调换的信得过见证。此外，这次前来的法国照相师盘算将这次拍摄的作品带回法国，在雷恩中国花圃中举办一次以牡丹为主题的照相展，进一步促进中法之间的文化艺术调换。

　　“咱们批驳的从来不单是花草，而是漂后对话的无尽可能。”这场以花为媒的全球约会，正在再行界说“牡丹”确现代价值。这恰似现代菏泽的隐喻——当陈旧的根系拥抱寰球的营养，这朵花绽放的已不仅是花瓣，更是一个文化自信与盛开联结的新纪元。

　　“How many possibilities can a single flower hold?“ On April 10, this question found its most vivid answer at the 2025 Heze Peony International Communication Forum. Cultural scholars, multinational corporate representatives, and young entrepreneurs from around the world gathered due to this 1,500-year-old Eastern bloom. As international guests immersed themselves in creating large-scale meticulous brushwork peony paintings, as flowers in Sofia’s South Park in Bulgaria bloomed virtually, and as Gen Z influencers and traditional Chinese medicine experts debated “multifaceted strategies to globalize peony culture“—Heze’s peony quietly transformed into a cross-cultural ambassador and economic catalyst.

　　Scholar: Peonies Bloom in Global Civilizational Exchange

　　In the eyes of Agshin Aliyev, the director of the Department of Azerbaijani Language at Beijing Foreign Studies University and a member of the 7th Council of the International Confucian Association, peonies in Heze are not only beautiful flowers but also important carriers of cultural exchange. “Peony culture is not only a cultural symbol of China, but also a window for the world to understand China. Peony culture should not only bloom in gardens, but also flourish in the exchange of world civilizations,“ he said. He specifically mentioned that in countries such as Germany, France, and Japan, scholars showcase the charm of peonies through literary and artistic works, which is a vivid example of mutual learning and drawing on each other among different civilizations. After enjoying the peonies in Heze, Professor Aliyev mentioned the national flower of Azerbaijan and suggested launching an “International Double Flower Dialogue“ cooperation project. Through the joint efforts of artists from the two countries, the two ancient flowers on the Silk Road can meet again in the digital age.

　　He looks forward to seeing translations of peony culture terms and Yellow River culture terms in various languages in the future, including versions in his native Azerbaijani. Professor Aliyev emphasized, “We need to not only focus on the translation of major languages, but also pay attention to the dissemination of minority languages, because most of the languages along the ‘Belt and Road' are in the category of minority languages.“

　　Journalist: Dual Bloom of Economic and Cultural Value

　　As a foreign journalist at Foreign correspondent at CICG Europe-Africa, Tian Ci has gained profound insights into the cultural and economic value of Heze peonies. “For instance, in places like France or Rhodes, having a Heze peony in your garden creates a direct cultural bond that fosters a special emotional connection to this Chinese city,“ he explained. This significance extends beyond merely owning a beautiful flower, as it carries specific historical and cultural connotations. Such connections help establish cultural recognition transcending geographical boundaries while promoting mutual understanding and respect between regions. Beyond cultural dimensions, Tian Ci emphasized peonies' role in driving local economic development. Sharing his personal experience with peony-derived products, he noted: “It was my first time tasting unprocessed peony seed oil, and I found it remarkably pleasant.“ He highlighted that beyond health products, the peony industry has generated substantial economic benefits for the region, including job creation and increased household incomes.

　　Regarding tailoring peony narratives for different audiences, Tian Ci proposed differentiated approaches: When introducing peonies to African audiences, the emphasis should be on their role in boosting economic growth, combating food insecurity, and improving living conditions. For European audiences, the narrative could shift towards artistic and cultural exchange perspectives, showcasing peonies' unique charm as cultural ambassadors in globalization. This strategic storytelling framework aims to make the “flower of prosperity“ resonate across diverse cultural contexts while serving as a bridge for international dialogue.

　　Photographer: “Peony Smiles“ Spark Global Dialogue

　　As the Permanent Deputy Representative of China to FIAP, Lu Ming is well aware of the significant role that images play in promoting Chinese peony culture to the world. “Images, as an intuitive visual language, can transcend language barriers and vividly convey the cultural connotations and aesthetic value of peonies,“ Lu Ming explained. For instance, the “Peony Smile“ International Imaging Project, undertaken by Chinese photographer Gao Junhai and his team over eight years, captured more than 20,000 group photos of people from different ethnicities, nationalities, and professions with peonies in over 60 countries, successfully spreading the positive symbolism of peonies worldwide. Notably, at the 2018 Peony Festival in Paris, France, the mayor of St-Honoré, wearing a national flag sash and accompanied by his daughter, posed for a “Peony Smile“ photo, which became a vivid testament to Sino-French cultural exchange.

　　To further build bridges for international photography and cultural exchange, the China Office of FIAP has taken a series of measures. Recently, they invited four international photography masters from Spain, Bulgaria, France, and Chile to Heze to attend the Peony International Dissemination Forum and photograph peonies and related activities. Particularly noteworthy was the work and letter of thanks brought by the international photography master from Plovdiv, Bulgaria, which not only expressed the desire to deepen cooperation with Heze but also served as a genuine testament to the friendly cooperation and cultural exchange between the two cities and countries. Additionally, the French photographer who attended plans to take the photos taken during this visit back to France to hold a peony-themed photography exhibition in the Chinese Garden in Rennes, further promoting Sino-French cultural and artistic exchanges.

　　“We are never merely discussing a flower, but the boundless potential of civilizational dialogue.“ This global gathering, bridged by petals, is redefining the peony's contemporary value. It mirrors Heze's modern narrative: as ancient roots embrace the world's nourishment, this blossom unfurls not just petals, but an era of cultural confidence and open collaboration.

　　无尽责任室&寰球网菏泽站长入出品

　　筹划：魏鹏 辛然

　　案牍、翻译：武玮佳 杨晓

　　采访、字幕：杨晓

　　配音：武玮佳

　　拍摄：张勇

　　编订：焦成龙

　　统筹：刘进 武玮佳 曲欣萍